Calico Captive
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Calico Captive Customer Reviews
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A modern re-writing of captivity narrative and young adult classic: Calico Captive
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Calico Captive is Elizabeth George Sprears (1908-1994) first novel. It was inspired by the diary of Susanna Willard Johnson, abducted by the Abenaki Indians in 1754 (during the French and Indian War) from her house in Fort Number 4 in Charleston, New Hampshire, published for the first time in 1796 and then 1807 (and presently available online at www.canadiana.org). Susanna Johnson was made captive with all her family, including a 14 year old sister, turned into the sixteen year old Miriam in the book, conducted to the Indian settlement of St. Francis and then sold to the French in Montreal, where she remained for three years before being set free after the payment of ransom. It took some years still before the whole family could be reunited.
Captivity narratives evolved into a kind of literary genre during the early years of American literature. These diaries, mostly by women, were always written at distance from the event of the abduction and share in their originality many stereotyped situations. These memories have been identified by modern critics as vehicles for a subjective rather than objective truth, as a means of political propaganda and as a form of sensational literature such as the "slave narratives". Post-modern and cultural analysis have re-evaluated them as examples of gender and culture conflicts and pointed out the principal elements of the genre: what a proper woman should do in a desperate situation and the religious message of sticking to Faith in times of adversity. Not rarely, however, the captives depict their captors as individuals and somehow opened themselves to these foreign (Indian or French) cultures. Susanna Johnson's diary is one of those in which the captors, be they Indian or French, are shown in all their humanity and this old document, even if difficult to read, retains a charm of its own.
This long introduction is to explain the importance, the originality and the enduring success of "Calico captive". This novel, more often than not classified as children or adolescent literature makes a great read also for adults. Elizabeth George Spear describing Susanna's little sister Miriam introduces into this real adventure a fictionalized and modern young girl, that with her thoughts and actions allows the reader to identify with the history, the characters and the literary genre.
Miriam is sixteen, just starting to get interested in a young Harvard bound Phineas Whitney, when she is ripped away from her home. During her march through the woods, she keeps blaming her family for their capture and she thinks with longing and rage of her new blue dress. These small things seem more important than the plight the family is withstanding. But how true, that a sixteen year old girl would think of it this way! Once in the Indian settlement she tries to get along with her masters and decides to learn sewing and embroidery and tries to make the best of her situation. But when she is brought to Montreal, the contact with the long despised French, completely upsets her beliefs and standards. The people she meets are sincere and sympathetic, all the world revolving around her is interesting and her mind opens to the acceptance of another culture (European) and another religion (Roman Catholicism). She realizes the enemy is not so different from us and she integrates so well, to be asked to be part of that world. The temptation is strong but inside her mind her steadfastness, modelled on that of her sister Susanna, consents her to take the right decision.
One of the most interesting aspects of Miriam's outlook is the acceptance of what she has to learn from her captors: the embroidery from the Indians, the fashion and gaiety from the French, and at the same time the understanding of the relations of the other members of her family (Sylvanus the little boy that loves to run wild with the Indians, the little Susanna that loves to be pampered by her adoptive French aunts, her older sister Susanna that has so many prejudices against the French).
A great deal of historical research is evident in the book's preparation and the Authors descriptive capacities consent a complete identification with the characters and the situations. Old Montreal is there before our eyes, as are the dresses of the Frenchwomen and the sparkling ballrooms, but we can also feel the cold, the hunger and the discomfort of life among the woods.
This novel has a double value. In the first place it is a beautiful story to read and enjoy and at the same time an occasion for learning what life was like during the French and Indian War, but in the second place it is a modern version of captivity narrative that allows the reader to appreciate this genre of literature so popular many years ago.
A small personal P.S.: I read this book borrowing it from the Library when I was nine years old (1966) and I enjoyed very much. After so many years, I found it a bookshop in Boston this summer and I bought it with enormous joy. I took it back to Italy, where I now live, and read it with all the enthusiasm of when I was nine. Naturally, I now understand more things than I did then and the Net helps us out in gaining more information on the topic, but the joy of reading the book I assure you was just the same! [...] |
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