| I picked this book up just recently and was rather delighted by what I found. Vicki Ragan's photos are lovely, but it is Shepard Barbash's text that is the real delight here. How many of those who buy this book will be like the lady below who, apparently without reading the text, complains that the book does not feature all her favorite artists and all the little alien figures which she is sure are the most important images coming out of Oaxaca? Please do buy this book, enjoy the lovely pictures, but then read the text. Barbash raises, rather subtlely, the question of whether these woodcarvings are folk art or a response to a commercial demand; he questions whether we are right to put our own "surrealist" readings on these wonderful little figures which are hardly conceived out of some sort of pychological dream matter. Instead he puts this work into its proper context. These wonderful, brightly colored woodcarvings are the work of individuals with their own stories, hopes and fears -- for whom the incomprehensible wealth and technology of the United States is far more surreal than anything they might produce. I have one of the cute little aliens the reader below speaks of. They are nice, but superficial beside the personal stories and personal expression that occasionally finds its way into this fascinating art that exists somewhere between folk and commerce. |