Country of My Skull: Guilt, Sorrow, and the Limits of Forgiveness in the New South Africa
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Country of My Skull: Guilt, Sorrow, and the Limits of Forgiveness in the New South Africa description
In the year following South Africa's first democratic elections, the Truth and Reconciliation Commission was established to investigate human rights abuses committed under the apartheid regime. Presided over by God's own diplomat, Archbishop Desmond Tutu, the first hearings of the commission were held in April 1996. During the following two years of hearings, South Africans were daily exposed to revelations and public testimony about their traumatic past, and--like the world that looked on--continued to discover that the relationship between truth and reconciliation is far more complex than they had ever imagined. Antjie Krog, a prominent South African poet and journalist, led the South African Broadcasting Corporation team that for two years reported daily on the hearings. Extreme forms of torture, abuse, and state violence were the daily fare of the Truth Commission. Many of those involved with its proceedings, including Krog herself, suffered personal stresses--ill health, mental breakdown, dissolution of relationships--in the face of both the relentless onslaught of the truth and the continuing subterfuges of unrelenting perpetrators. Like the Truth Commission itself, Country of My Skull gives central prominence to the power of the testimony of the victims, combining a journalist's reportage skills with the poet's ability to give voice to stories previously unheard. --Rachel Holmes |
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Country of My Skull: Guilt, Sorrow, and the Limits of Forgiveness in the New South Africa Customer Reviews
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♥♥♥♥♥ |
"I've translated you from the dead."
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Antjie Krog is a South African writer and poet who covered the South African Truth and Reconciliation commission hearings. She wrote this book about the experience, from the particular point of view of a South African of Afrikaner background.
I found this book both difficult to read, and difficult to put down. Krog chooses extremely compelling stories to highlight, and the impact is visceral. She asks some very smart and difficult questions about what truth and reconciliation can possibly mean in a country burdened with such a history. The Country of My Skull does an excellent job in providing possible answers to these hard questions, while acknowledging that she may not be the person to either have an opinion or have an answer. She seems to continually ask who are judges and who are victims, given the situation.
While I liked that she shared her own experience of the Commission honestly, there were times when I felt that the focus on her personal life weakened the book. Made it overly poetic, somehow. When she discusses the Death Fugue of Celan, she makes the point that there are some subjects that poetry cannot and perhaps should not touch. I sympathize with the desire to use that kind of precise and metaphoric language, but it increases the distance.
This seems to me an important book. Four and a half stars. |
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