The Golden Bough: A Study in Magic and Religion (The World's Classics) Books In Print, Audio Books. |
| Home » All Books |
|
|
The Golden Bough: A Study in Magic and Religion (The World's Classics) buy bestselling books in print, audio books
|
 |
List Price: $17.95 Our Price:
You Save: $0
|
| [ + Zoom ] [ Buy Now ] |
Book : This item is currently not available. |
|
|
The Golden Bough: A Study in Magic and Religion (The World's Classics) description
Before Joseph Campbell became the world's most famous practitioner of comparative mythology, there was Sir James George Frazer. The Golden Bough was originally published in two volumes in 1890, but Frazer became so enamored of his topic that over the next few decades he expanded the work sixfold, then in 1922 cut it all down to a single thick edition suitable for mass distribution. The thesis on the origins of magic and religion that it elaborates "will be long and laborious," Frazer warns readers, "but may possess something of the charm of a voyage of discovery, in which we shall visit many strange lands, with strange foreign peoples, and still stranger customs." Chief among those customs--at least as the book is remembered in the popular imagination--is the sacrificial killing of god-kings to ensure bountiful harvests, which Frazer traces through several cultures, including in his elaborations the myths of Adonis, Osiris, and Balder. While highly influential in its day, The Golden Bough has come under harsh critical scrutiny in subsequent decades, with many of its descriptions of regional folklore and legends deemed less than reliable. Furthermore, much of its tone is rooted in a philosophy of social Darwinism--sheer cultural imperialism, really--that finds its most explicit form in Frazer's rhetorical question: "If in the most backward state of human society now known to us we find magic thus conspicuously present and religion conspicuously absent, may we not reasonably conjecture that the civilised races of the world have also at some period of their history passed through a similar intellectual phase?" (The truly civilized races, he goes on to say later, though not particularly loudly, are the ones whose minds evolve beyond religious belief to embrace the rational structures of scientific thought.) Frazer was much too genteel to state plainly that "primitive" races believe in magic because they are too stupid and backwards to know any better; instead he remarks that "a savage hardly conceives the distinction commonly drawn by more advanced peoples between the natural and the supernatural." And he certainly was not about to make explicit the logical extension of his theories--"that Christian legend, dogma, and ritual" (to quote Robert Graves's summation of Frazer in The White Goddess) "are the refinement of a great body of primitive and barbarous beliefs." Whatever modern readers have come to think of the book, however, its historical significance and the eloquence with which Frazer attempts to develop what one might call a unifying theory of anthropology cannot be denied. --Ron Hogan |
|
The Golden Bough: A Study in Magic and Religion (The World's Classics) Customer Reviews
|
|
|
|
♥♥♥♥♥
|
An influential work on four 20th century seminal works
|
This book is a seminal work because it had a crucial influence on four important works of the twentieth century: T. S. Elliott's poem the Waste Land, Joseph Campbell's Hero with a Thousand Faces, Dan Brown's book The Da Vinci Code, and Francis Ford Coppolla's movie Apocalypse Now, screenplay by John Milius.
Sir James George Frazer's book written in 1922 was a groundbreaking work on ancient religion, paganism, and roots of early Christianity. Frazer does an in-depth examination of the sacrificial killing of god-kings to ensure bountiful harvests, which Frazer traces through several cultures, including in his elaborations the myths of Adonis, Osiris, and Balder.
Frazer spent his life writing fifteen volumes of history of myth and religion. This book sums up his theory of magic and its connections to paganism, as well as fusing ideas from Jessie L. Weston's book From Ritual To Romance and Gnostic texts that serve as a link to early Christianity's influence from ancient nature cults. His chapter titles say much about where his work goes and why it is so influential on iconic twentieth century works. The King of the Wood explains the original nature of the task imposed upon the hero, it undoubtedly influenced both Campbell's and Coppola's works. The Myths of Adonis, Attis, and Osiris looks to establish a chain of descent connecting early Aryan and Babylonian ritual with classic, Medieval and modern forms of nature worship. Our Debt to the Savage explains the role of the Medicine Man or doctor in fertility ritual. The Killing of the Devine King analyzes how this title is prevalent in so many of humankind's legends, and was a definite influence on Coppola's Colonel Kurtz character. Sacrifice of the King's Son regarded as an object of awe certainly influenced The Da Vinci Code.
Frazer's book is interesting and fun to read. I especially became interested in it from the movie Apocalypse Now. There is a scene in the movie that shows Colonel Kurtz's nightstand in his cave. Weston's book is one of three on the nightstand. The other two are Joseph Conrad's Heart of Darkness, which the film is based on. The other book is Jessie L. Weston's book From Ritual To Romance. Anyone wanting to understand the movie Apocalypse Now, especially the character of Colonel Kurtz, and what Milius and Copolla were trying to tell their audience need to read these three books!
As a graduate student reading in philosophy and history I recommend this book for anyone interested in literature, myth, history, philosophy, religion and fans of Apocalypse Now.
|
|