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Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream
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Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream description
Heralded as the "best book on the dope decade" by the New York Times Book Review, Hunter S. Thompson's documented drug orgy through Las Vegas would no doubt leave Nancy Reagan blushing and D.A.R.E. founders rethinking their motto. Under the pseudonym of Raoul Duke, Thompson travels with his Samoan attorney, Dr. Gonzo, in a souped-up convertible dubbed the "Great Red Shark." In its trunk, they stow "two bags of grass, seventy-five pellets of mescaline, five sheets of high-powered blotter acid, a salt shaker half-full of cocaine and a whole galaxy of multicolored uppers, downers, screamers, laughers.... A quart of tequila, a quart of rum, a case of Budweiser, a pint of raw ether and two dozen amyls," which they manage to consume during their short tour.

On assignment from a sports magazine to cover "the fabulous Mint 400"--a free-for-all biker's race in the heart of the Nevada desert--the drug-a-delic duo stumbles through Vegas in hallucinatory hopes of finding the American dream (two truck-stop waitresses tell them it's nearby, but can't remember if it's on the right or the left). They of course never get the story, but they do commit the only sins in Vegas: "burning the locals, abusing the tourists, terrifying the help." For Thompson to remember and pen his experiences with such clarity and wit is nothing short of a miracle; an impressive feat no matter how one feels about the subject matter. A first-rate sensibility twinger, Fear and Loathing in Las Vegas is a pop-culture classic, an icon of an era past, and a nugget of pure comedic genius. --Rebekah Warren

Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream Customer Reviews
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♥♥♥♥♥ Blitzed!
That so many people have tried to justify, make sense of and interpret Thompson's pseudo-fiction in literal terms only indicates how many asinine, clueless people have read this magnificently absurd book. All that's required when reading HST's drug-addled interpretation of his misadventures with Acosta is to simply ingest, and to set your inhibitive sense of reality aside while doing so.

In his correspondence, literature and journalism, HST ably explains how he rode the crest, slope and break of the most exciting, disheveled period in the history of American culture. His written discourse is invaluable for obtaining a clear understanding of a muddled and dynamic era, where dysfunction of many varieties constituted the norm and both the freedom afforded by a permissive society and its' technological advances were exploited for enormous personal gain. In a time when America is descending into a sanitized quagmire of mediocrity and sedation, we could only hope for so much.
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